Melissa Fishman is a 2-Spirit Salish woman of the Thunderbird clan, raised in Tkranto with origins in Lillooet Valley First Nation in B.C.

Her work over the last decade has focused on access and supports for Indigenous communities, primarily through student outreach, recruitment and retention at the post secondary level. Sharing her passion for learning and seeking ways to overcome barriers to education and community connection within the local Indigenous communities.

Tanis Sydney MacArthur has been an independent costumier for performing artists for more than 25 years. She is also an interpretive dance artist, choreographer, aerialist, stilt walker, prop maker and large scale inflatable sculpture artist. Clients of note include Femmes du Feu, Hamilton Aerial Group, Aeris Korper, Fly With Me Aerial Dance, Steel the Sky Aerial Arts, Team T&J, Mabel Moon, Learie McNicolls, Red Betty Theatre, Aoucheva Dance Studio, Defining Movement Dance Company, Hamilton Dance Company, MacDancers, Parahumans, the Acromaniacs and Artword Theatre.  She executed wardrobe and creature design for the independent short film The Sail Tree by Radha Menon. She placed third nationally in the Smirnoff International Fashion Awards 1994 and regularly contributed original designs to Fashion Cares. She served as designer and key wardrobe for the film A Windigo Tale by Armand Garnet Ruffo.  She designed and built The Arctic Fox and Inspired by Icebergs, outdoor installations of multiple 16′ tall inflated sculptures in collaboration with Cobalt Connects.

With 30 professional years across theatre, television, film, radio, and education, Alex Bulmer is dedicated to inclusive collaborative art practice, fuelled by a curiosity of the improbable and deeply informed by her experience of becoming blind. She is activated by obstacles, well exposed to the absurd, and embraces the disciplines of generosity, listening, time, and uncertainty within her artistic and personal life. Alex is currently part-time Artistic Director of Common Boots Theatre, co-founder and artistic director of Cripping The Stage with The British Council, and the lead curator of Brave 2021 Festival: CoMotion, an international disability arts festival produced by Harbourfront Centre.

Monica Dottor is a 10 time Dora Mavor Moore* award nominated artist in 5 different categories including Actor(3X), Choreographer(4X), Director (1X) and Costume Designer (1X) She’s a Dora winner with Matthew Mackenzie for Best Production of BEARS and a Dora winner For OUTSTANDING PERFORMANCE IN A FEATURED ROLE with The Penelopiad ensemble (Nightwood).)  DIRECTOR/CHOREOGRAPHER Credits: Beauty and the Beast (UofWindsor), A Blow in the Face (Nightwood), Big Love by Charles Mee at The University of Windsor, BEARS* (Punctuate Theatre/Alberta Aboriginal Arts, Theatre Centre, Factor, Belfry) THE OTHER (Pyretic/Company Blonde/TheatreFront/Soulpepper), The 94 Club (Crave Productions), The History of Drinking in Cavan (4th Line), MALARIA LULLABY (Company Blonde), TWEET TWEET (Femmes Du Feu/SOULPEPPER), Circus Sessions (Femmes Du Feu), Elemantal(Harbourfront Centre)

Miranda Forbes is an arts manager with a strong connection to the Toronto dance community. She graduated with honours from the Arts Administration and Cultural Management Program through Humber College and holds a Bachelor of Fine Arts in Performance Dance from Ryerson University.

In 2017, she began her role of Manager of Producing and Administration at the Dance Umbrella of Ontario (DUO). She has been fortunate to provide administrative support for Ontario Dance/Circus Artists including, Christine Friday, Esie Mensah, Holly Treddenick, Bill Coleman, Holly Small, Lua Shayenne and Roshanak Jaberi. Prior to joining the DUO team, she was the Executive Director of the Mississauga Children’s Choir (MCC) and now sits on MCC’s Board of Directors.

She is delighted to play an active role in supporting the Ontario dance community.

Kitsuné is a 2Spirit, Plains Cree (Nehiyaw), a multi-disciplinary artist residing on Treaty 3. They’re currently working on their first play called “H.E.R. Show,” which explores the dangers of social media and toxic relationships. They are managing ways to display it virtually as a work in progress through pandemic times. She’s constantly exploring themes around culture and balancing today’s digital world to intersect in that work. In addition, she continues to pursue theatre arts through writing and artist collaborations in safe distances and safe spaces in these trying times. As an imaginative soul, she likes to express herself through fashion and storytelling online through her socials and bringing light to indigenous issues.

Robert studied at the Royal Academy of Music and King’s College London before being invited to the Yeomanry of the Worshipful Company of Musicians in 2013. Since then he completed a Masters in Music with a choral scholarship at King’s College, Cambridge. He was awarded the Lord Mayor’s Prize for Composition and his works have featured on BBC Radio, London Festival of Contemporary Music and are recorded by Priory Records. He has performed across the globe in venues such as the Sydney Opera House, Royal Albert Hall, the Barbican, the Hermitage Theatre, St. Thomas Fifth Avenue and Bleinheim Palace. As well as being Director of Music at St. James Cathedral, he can frequently be found helping people move house (against his will), and shouting at traffic.