Femmes du Feu is a project operating company founded in 2003. Since 2007, Femmes du Feu have been actively creating and presenting aerial circus works, researching innovative ways to combine their contemporary dance and choreographic backgrounds with their aerial circus skills. This has included exploring apparatuses such as a bungee in Impossibility (2007), silks in Dive (2009) and trapeze in Tiffany (2010). More recently, Femmes du Feu has invented apparatuses specific to their artistic needs such as the anchor, rope or pole as in The Plank (2010). Femmes du Feu have presented their work at various events including At The Wrecking Ball (2007), The Toronto International Circus Festival (2008), and Hysteria Festival (2009), The London/ Toronto/ Winnipeg Fringe Festivals (2009 & 2010).
In 1999 Femmes du Feu created and produced their first full-length contemporary circus show, Head First, for the London, Toronto and Hamilton Fringe Festivals, winning Patron’s Pick and Best of Fringe in Toronto. In 2010, Femmes du Feu created and produced their second full-length production, The Plank to sold out houses at the London, Toronto, and Winnipeg Fringe Festivals.The Plank was extremly well received by both audiences and critics, with 5 star reviews, and again winning The Fringe Festival’s Patron’s Pick in Toronto. Most recently Femmes du Feu produced their newest show, Airship for the Rhubarb Festival (2011), also to all sold out shows.
In 2012 Femmes du Feu presented BoB at the Guelph Contemporary Dance Festival to great success. Airship was remounted and extended to a 60 minute full-length work and presented at Buddies in Bad Times Theatre as part of Queer Pride Toronto and then at the Winnipeg Fringe Festival, all to sold out houses. In 2016 Femmes du Feu presented BIND, an aerial and dance work at Rhubabrb Festival. BIND is performed by 5 dancers and was directed by Monica Dottor. Through 2017 Femmes du Feu had many performance opportunities, including the continued relationship with Harbourfront and a 15 minute show at ArtHaus, the funders event in November. We are looking forward to working with them on Circus Sessions 2018. We also look forward to producing a new ful length site-animation performance for Harbourfront summer 2018.
Through 2016 and 2017, Femmes du Feu has been generously spported by Theatre Direct, Ontario Arts Council in the development of TWEET, and new early years circus show to preimier at WEEFestival May 2018.
Femmes du Feu also have several non-performative services. Since 2011 Femmes du Feu have been producing Aer Time, a contemporary circus performance series; as well as Aerial Jams, a structured gathering of professional aerial artists to train and skill share. We often work as outside eye to other artists, work in a mentoring role to other aerialists for rigging concepts, and teach beginner to advanced classes. In 2016 Femmes du Feu was excited to curate for HarbourKids Circus. This was a compioment to Circus Sessions we were able to create cross programing. Femmes du Feu will be currating with this festival again for 2017. Circus Sessions serves to connect and network the Canadian circus community, while focused on strengthening the Ontario sector. With Circus Sessions we are positioning ourselves to be leaders of the english circus community.
Holly TreddenickArtistic Director, project lead (Toronto, ON)
SABRINA PRINGLEPerformer, collaborator, technical consultant, rigger, teacher
ANGOLA MURDOCHPerformer, collaborator, teacher
LINDSAY GOODTIMESCo-founder, performer, collaborator, teacher
NATALIE FULLERTONPerformer, collaborator, teacher
LARA EBATAPerformer, collaborator, teacher
Joanne Lynn GalliganPerformer, collaborator, teacher, graphic designer
CHARISSA WILCOXProduction Manager, Stage Manager
JAMES FISHERSound creation
MARC RICHARDDirector, dramaturge
Originally from Winnipeg, MB, Holly moved to Toronto in 1994 to study at The School of Toronto Dance Theatre, where she graduated in 1998. In 2001 holly began her exploration into the circus arts, beginning with fire performing- dancing, eating, manipulating. She has since studied Pochinko clown, and aerial dance including silks, rope, hoop, harness, bungee, static and dance trapeze. Holly began her aerial training with Sabrina Pringle in 2005 and has never looked back! Holly has trained with various teachers across Canada, California, and at The Aerial Dance Festival in Colorado. In 2003 Holly co-founded Femmes du Feu, which has created, performed and presented many contemporary circus works. Holly has worked with various companies such as Ballet Creole, Tweenies, Sally Morgan Dance Projects, Sarah Anne Johnson, Barbara Lindenberg, Tanglewood Family Entertainment, Dusk Dances, FFIDA, Goodness Gracious, Company Blonde, Zero Gravity Circus and Circus Orange as dancer, choreographer, circus artist and administrator. Since 2015 Holly has been studying Butoh dance and voice work with Denise Fugiwara and Jerry Trentam. In November 2017 Holly was happy to be the recipient of Catalyst Project (via CCAFT) and was supported in the development of a new solo aerial and dance work based around the fire fighting experiences of her father. Another workshop showing will take place at Buddies In Bad Times Theatre in February 2018.
With a passion for bringing community together, Holly has been organizing cabarets for nearly 20 years. Starting in 1995 in a downtown Toronto warehouse through her company Tweenies (with Sally Morgan), then The Smorgasbord Cabaret Series in Winnipeg (1999/ 2000) and now Aer Time (since 2011), an aerial workshop performance series. Circus Sessions has been a natural succession.
Outside of her performance life Holly is a mother of two beautiful daughters, a certified yoga instructor (2001 graduate), a Doctor of Osteopathy (2008 graduate) and teaches ongoing movement workshops.
Sabrina joined Femmes du Feu as co-artistic director in 2006. She has choreographed and performed in many venues across Toronto over the last four years. Sabrina is currently being seen in film festivals across Canada and on the Olympic website as a solo aerialist/dancer in Elif Isikozlu’s film “Let Go”. Beginning in 2002 she toured several different productions extensively in the United Stated and Europe as choreographer and performer with the Caravan Stage Barge. She was also co-founder, performer and choreographer with the dance company D.I.X from 1999-2001; producing two full-length shows in Toronto and touring to Portugal. As an aerialist, dancer, fire and stunt performer she has also worked with companies such as Circus Orange, Zero Gravity Circus, A2D2, DNA Theatre, and Company Blonde.Sabrina began as a ballet, jazz and modern dancer and went on to graduate from The School of Toronto Dance Theatre in 1999. Eight years ago, she began to focus on training in the circus arts with many different coaches throughout North America and completed the International Stunt School by the United Stuntmen’s Association in Seattle. Her aerial training includes silks, single and double pick harness, bungee, trapeze, dance trapeze, hoop and invented apparatuses. Sabrina is High Angle Rescue and Fall Arrest certified with experience rigging in theatres, conference halls, tall ships, high buildings (Toronto’s City Hall) and steep rock faces. Sabrina also performs with fire, spinning, manipulating, and even eating it, using a vast array of props and techniques. She can also do a full body fire burn, and is a licensed pyrotechnician. In 2005 Sabrina began running her own aerial silks school and now proudly has many students performing as professionals in the community.
Angola’s childhood was spent mostly upside down, dancing and doing gymnastics while growing up on her family farm in Grey County, Ontario. She has trained and performed in a multitude of movement disciplines including over fifteen years of capoeira, aerial circus and acrobatics. Her strength is creating new aerial equipment that make sense in a theatrical setting. Angola is an international performer. Some highlights include: Cirque Pacifica (Maui), Waiting for Calder (Art Gallery of Ontario), Planet Power (HarbourKids, Toronto), Maravilla (Second City, Toronto), Granmercy Theatre (NYC), Command Performance (Europe), and Zip Zap Circus (South Africa). Angola has graduated from the National Circus School in Montreal where she obtained the highest level of coaching certification for circus arts. She has taught all over the world offering social circus workshops and her unique master classes. Angola is thrilled and honoured to be part of the Femmes Du Feu team.
Alex Bulmer, BA, A.D.V.s. MA, is an award-winning writer, art maker and access consultant. She is originally from Canada and has worked internationally in theatre, film, radio and circus arts for over 25 years. Alex has created art with numerous organizations including Buddies in Bad Times Theatre, CBC, The National Arts Centre, Royal Court, Graeae Theatre Company, APAE Brazil, and the London 2012 Cultural Olympiad.
As a freelance access consultant, Alex has offered her guidance and expertise to numerous arts organizations including Arts Council England, Red Dress Productions, Ontario Arts Council, Harbourfront Centre, and Tangled Art and Disability.
As an advocate for change in her home province of Ontario, Alex has worked with the National Arts Centre, the British Council Toronto, Ryerson University, Theatre Centre and CBC television on numerous arts projects which focus on the increased cultural inclusion of people with disabilities.
Alex has been a participant in the disability movement in Ontario since 1993, working at DNet CBC, co-founding Toronto’s first disability cross arts organization Picasso Project, creating her groundbreaking stage play SMUDGE with Nightwood Theatre, and leading numerous public seminars on the subject of inclusion through Theatre Ontario, Actors Equity, The Abilities Centre, University of Guelph, Queens University, as well as publications in arts and academic journals.
Her artistic work in the UK has been recognized as she has been honoured as a fellow of The
Winston Churchill Trust and was named as one of the United Kingdom’s most influential disabled artists by Power Magazine in 2014.
Alex welcomes participatory design for a more inclusive world and celebrates the infusion of
the disabled experience into the arts.
Lindsay Goodtimes has been entertaining audiences for the past two decades. After graduating from Toronto Dance Theatre in 1998 she spent many years performing and choreographing in the US, Canada and abroad. Her travels took her to South East Asia where Lindsay trained at the Thai fire school. It was there she was first introduced to the circus arts. Upon returning from her travels she was impassioned with a great desire to incorporate fire arts in dance, it was at that time that Lindsay co-founded Femmes Du Feu with Holly Treddenick as a vehicle to explore this fusion. Lindsay was honoured to be a part of the Circus Orange team for many years and participated in their trade mark spectacle performances at JFL Montreal, Winterlude Ottawa and Cavalcade Toronto to name a few. She began her aerial training with Sabrina Pringle in 2006 and is thrilled with the new direction that Sabrina and Holly have guided FDF into. A women of many interests, Lindsay has been a member of multiple bands over the years from Punk Rock to Kindie, Lindsay utilizes different types of performance mediums to explore human expression with the ultimate goal of entertainment.
Natalie Fullerton is a classically trained dancer who also holds a BFA in dance from York University. After completing her degree she discovered the circus arts and has never looked back. In addition to co-directing her own fire and aerial company, Goodness Gracious…, she has also performed across Canada, the USA, Europe and Asia with various companies and choreographers. Most recently she has been working with Circus Orange, Femmes du Feu, Les Coquettes and Lady Luck Productions on selected events including, Airship with Femmes du Feu as part of the 2011 Rhubarb Festival, City of Toronto Wintercity Festival 2010, Femmes du Feuʼs production Head First, winner of Toronto Fringe Festival 2009 Best of Fringe award and Patronʼs Pick, The Calgary Stampede 2008 and Just For Laughs 2006 (Montreal), 2007 (Toronto) with Circus Orange, as well as an ongoing residency at Revival with Les Coquettes.
Lara has been a dancer for over 25 years. Her formative training began with ballet with the Royal Academy of Dance. An insatiable appetite for dance has led to studies in modern, jazz, Indian dance, Afro-Caribbean, hip hop, Latin ballroom, tap, fire dance, stilts, and various aerial apparatus. Since graduating from the York University Dance Program in 2000, Lara has performed across North America in festivals such as the Toronto Fringe Festival of Independent Dance Artists, Dusk Dances, the Toronto, Ottawa, London, & Hamilton Fringe Festivals, the Yonge St. Festival, Just for Laughs (Montreal & Toronto), Cavalcade of Lights, the Calgary Stampede, Wintercity, the Rhubarb Festival, and the Second City Late Night Cabaret. Lara has had the opportunity to work with Toronto circus companies such as Circus Orange, Femmes du Feu, A2D2, and Suspended Animation, and is co-artistic director of her own small fire dance company, Goodness Gracious…
Joanne Lynn Galligan
Joanne’s has been training in the aerial & acrobatic world for over 12 years. Her training began at the Toronto School of Circus. She has been lucky enough to studying in Canada and the US with such artists as Megan Gendell (Philadelphia), Niff Nicholls (Secret Circus), Elsie Smith, Serenity Smith-Forchion, Aimee Hancock & Jamie Hodgson (all of NECCA), Fred Deb (France) and April Moore Skelton (Frequent Flyers, Boulder). Her Foundation Trapeze Teacher Training was completed at NECCA under the incredible guidance of Elsie Smith (former aerialist for Cirque du Soleil). She has also studied Movement Fundamentals from former gymnast Carl Paoli, and has her CF Gymnastics Certification.
She began her coaching career at the Toronto School of Circus Arts, and was the head coach for their Static Trapeze program from 2010 – 2016. Although Trapeze is her first love, she enjoys coaching a variety of other disciplines including Silks, Hoop, Chinese Poles, Spanish web and Partner Balancing. Joanne worked with Disney Cruiseline and Norwegian Cruiseline for over five years, travelling the globe to coach their artists and dancers in aerial circus, harness work, stunts and stage combat. She is also a personal trainer and calisthenics coach.
Joanne currently teaches circus arts at Hercinia Arts Collective (Toronto) and Strength & Bar, the calisthenics class she developed at Reebok CrossFit Liberty Village (Toronto).
Erin Ball is a circus artist and coach based in Kingston, Ontario and she is the owner of Kingston Circus Arts. Her disciplines include aerial silks and trapeze, both solo and duo, wheelchair acrobatics and aerial wheelchair, flexibility and hooping. Erin is also experienced with aerial hoop, partner acrobatics and hand-balancing. She took a year off in March 2014 due to life changing events that resulted in the loss of her lower legs. She has returned to her passion of training, coaching and performing. She loves adapting and creating new/different ways of executing skills.
She has trained at many schools in Ontario, the New England Center for Circus Arts, and many more. She has many movement certifications, including several Fabric and Trapeze Teacher Trainings (NECCA), Hooping Instructor (Body Hoops), Mat Pilates Instructor (Balanced Body), Yoga Teacher Training (The Yoga Studio, Toronto), Handstands (Deflying Fitness) and many others. She also received a diploma in Fitness and Lifestyle Management from George Brown College in Toronto.
Erin loves to move and to connect with others through movement and play. She performs and teaches regularly in Kingston and the surrounding areas. Erin teaches all bodies, shapes, sizes and situations. She has worked with amputees, people who use wheelchairs, Autism Ontario, etc. She also teaches a workshop called Flying Footless, a course for aerial coaches working with lower limb amputees.
Some of Erin’s current performance projects include LEGacy Circus with Vanessa Furlong (a show that is a combination of stilt dancing, prosthetic legs, synchronized acrobatics, partner acrobatics, duo trapeze and more) and Cyborg E.R.I.N , directed and co-created by Sonia Norris, aerial dramaturgy by Rebecca Leonard and performed with Chris Stroesser (a piece where Erin has various leg attachments such as smoke grenades, confetti cannons, light up legs etc and her cyborg character has been created by a scientist for the sole purpose of being an aerialist). Another project is called Creature, choreographed with Michele Frances (A combination of hand balancing, flexibility and hula hooping. The act explores a unique aesthetic and interesting physical possibilities that are created by amputation/ adaptability/innovation) and Cone Legs, a single point trapeze piece with leg extensions that are shaped like cones, choreographed with Aimée Hancock. Erin also regularly collaborates with Femme du Feu.
In early 2018, Erin began performing on her aerial wheelchair. The piece, called Suspended Disbelief, was choreographed and conceived by Heidi Latsky in collaboration with Erin and is an excerpt of the show D.I.S.P.L.A.Y.E.D.
Erin is interested in integrating accessibility for all into performances and has recently been working on creative audio description in her own work. She recently participated in Circus Sessions 2018, developing and performing creative audio description during the show, under the guidance of Alex Bulmer.
Erin also writes a column for The Kingston Whig Standard newspaper, called No Feet and a Heartbeat, about life since her accident.
Find out more about Erin’s classes and performances at https://kingstoncircusarts.com.
Charissa has worked at Buddies In Bad Times Theatre (BIBT) for the past fifteen years. She has been the Head of Production for this Queer Canadian Theatre since 2005 and currently holds the same position. In addition to working at BIBT; she has been a freelance production manager/technical director for Nightwood Theatre, Studio 180, Theatre Rusticle and Summerworks’ Theatre Festival. Her production stage management experience includes companies such as Outspoke Production, Operation Snatch and Cartier Danse. In 2010 Charissa joined Circus Orange Inc. as their production stage manager.
James Zirco Fisher is the Movement-Music Composer & the Blue-Prints Illustrator of the AIR SHIP. Zirco has a detailed history illustrating for numerous projects including the popular skeleton comic “Disifigures of Speech” featured monthly in Rue Morgue Magazine this past 7 years. Zirco completed the macabre soundtrack to his first feature film earlier this year called “Kenneyville”. Zirco is also the spearhead of the circus electro music project Squid Lid. This project combines his artistic and musical skills seamlessly along with a live stage spectacle that features glowing creatures. To hear and see more of James Zirco Fisher visit zircocircus.com.
Marc Richard is a multi-disciplinary artist. He is a graduate of The School of Toronto Dance Theatre, where he had the pleasure of working with many of this country’s finest choreographers. He worked for a time as an independent dancer and was seen in Bill James’ Big Pictures with Arraymusic. As an actor Marc has appeared in theatre productions across Canada including the World Stage Premiere of Anne Marie MacDonald’s Anything That Moves and Dorothy Dittrich’s When We Were Singing (Buddies, Belfry, National Art Centre). As a director and choreographer he has worked on over sixty professional productions across Canada including Evita (Persephone) Funny Business – The Musical (Toronto Fringe, Diesel Playhouse) The Last Resort, Nunsense, Jasper Station, I Love You, You’re Perfect (Drayton Entertainment) Plank (Toronto, London, Winnipeg Fringe) and Excuse me, would you like to buy a bar? (Toronto Fringe). As a writer he has written several full length scripts including Toad:The Anna Russell Story (Rhubarb Festival, Theatre Aquarius Stagewrite Series) Marc has taught in the Dance Department at York University and is currently a faculty member at Sheridan College in the Music Theatre Professional Training Program where he teaches, directs and choreographs (West Side Story, Berlin to Broadway, Company, Pippin). He holds a Master of Arts in Dance from York University with a specialization in dance education in elementary schools and is currently a PhD candidate in York’s Faculty of Education.